These poems are more than somewhat private in nature; they are very intimate and are records, or expurgations, of some of the strongest feelings I have known - both good and bad.  These are not love poems, nor are they revenge poems, nor are they for the faint of heart or ordinary sensibilities.  My love-life does not fit any category easily and as in all things these are beyond convention and may offend readers used to more conventional modes of life and types of love and loss  than the ones I have endured.  For those brave or open-minded enough to continue, much may still seem cryptic or puzzling, or simply overblown and melodramatic; but for me it was all very real and quite often these words were necessary to get out, rather than self-indulgent in any way as they might seem to the more cynical reader.. I was not writing for posterity or for later generations of critics, but to get things out of my own heart, in words that may be mean something only to me.  But here they are anyway......

Songs of Love and Loss





 

Strophe

(Fragment from an Unwritten Play I)

SOLO
Some men are made    of stone and steel
Others born    children of the pure fire,
or branchlings of the dark    and fertile loam -
sweetsmelling, sprung    from the riot of decay.
 
CHORO
How human hearts    have come to learn toil
and anguish even    amidst the breaths of joy!
Growing bold    towards the human death,
what we learn, what    we manage to achieve
only notched marks    on the linen bind of history,
no more than that.    Though torn to yearn
for the slender stars,    but captives of our ocean blood
we flit and surge,    breed a storming throng,
conquering our womb    itself, poisoning the very wind
that gives us voice, lets    us sail, and fly...
 
SOLO
        .....We are all
servants of time,    enslaved by flesh,
embattled for love    and for mortality -
How is man made for this?    How does woman bear its seed?
The great cities rise, and spoil,    War and dust erode their very names:
Green jungles, blue oceans    golden sand and dun barren
spin aroint the glittering black, tumbling
alone, into a lonely night.....
 
SOLO & CHORO
        .....Encrowned by white truth of ice,
gripped in cold claws    of gravity and light;
all attitude and emotion    but fiction of our vanity,
the friction of our pride    against implacable eternity,
surrendered by mathematic,    by the hymn of quanta.
 
CHORO
What sole human love    means aught for this?
What aim but death    can fill out the fullness of our breeding?
Will we wall in gardens    on new-wrought worlds?
Will we raise new cities    to rule empires turned on stars?
Which vastness lies greater -    the maze of mire and mass
that is our expansive universe    or the hidden chambers and labyrinth
of a single human heart?    And what in a million worlds
could make match    for the twistings bound by two?
 
SOLO
Love is joyous -    bonding souls by laughter
and by fire; its weavings spin    outside time, and lie beyond
the empires of space,    the conquests of our flesh and mind.
But never have I found a love    worth and true as all
the stars of a million skies.    Without love, we die alone
Long before our bodies evacuate of life
and turn to rot and sift    in the cradle of the mother stone.

I have wandered and sung    across a thousand worlds,
seemed a fool to all those of wiser tribes
for wanting what cannot be, what is long lost,
for forsaking all the jewels of this silver'd galaxy,
for lack of faith in all the nameless gods.
I dare seek for love, for life,    I sing for eternity,
    and everywhere but only a surfeit of their form.
 

CHORO
Lonely soars the poet's tower,    steep-reared in polished parapet:
Who bides therein must sing alone -    Pure, but without seed,
for no love can match a gifted mind    (delicate is its power),
without making challenge to its fire    or dousing out its flame.

Even though he can sail the wondrous sea of stars
            (myriad with a thousand worlds)
No rest he has found in speech and sigh
            (songs sung in an hundred tongues)
Rare is the gift: rare he who lives out its trying's rough-lifed course
            (sparkling in the night)
Rarer, rarest, she who could fulfill that quest
            (blind lover to a human god).
 

SOLO & CHORO
Shaken with the brilliant fever of life
Man is born for more than death
more than the whip of mere destiny,
more than all the cities of all the endless stars,
- None can say what of idle adventure
will be worth more than a magnate's wealth.
None can say what quiet, silent truth
will shatter the most potent, royal might,
or carry more fury in its power
than the strongest magics of the hidden world.
Few are old, most are young,
yet the shape of love is older still
than the wisest of all mortal minds.
Honour him who carries this burden on his mortal tongue.
Who knows what power this gift shall fate,
Who dreams of what only dreams can create?
 
SOLO
Tender me, sweet love, feel me yearn
to find you warm and true within my arms -
For I am a child of the pure fire,
forged in stone and steel    and born from out the dark loam.
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The Fever

(Eros I)

What beauties have we squandered,
what gifts spoilt and ruined
by forcing too hard the hand of destiny!

Amid the flotsam of these latter days,
amid the strewn glories of our ancient Empire
that made the blood of Poets
and the deaths of all our Kings -

Did we love less that we knew Love no more,
or made greater Loss of all our Victory,
for but to reckon with our Deeds?
Waking from Dream within the Flesh
we found a Knowing too strong to face,
too Great to fear. Passion cast our burden
out before the eyes of Fate, Love
tumbled with the mountains of the Night.

Yea, that we might walk this way no more!
That all our Trying's but a foil,
to starve the World with Surfeit
and bitter Loneliness. The Gods of Anger
and of Love, and of the madness that is Song,
stride forth into the rosy-fingered Dusk.
The horses of the Sea mount and rear, in foamy mane,
ablaze with Virtue and with Might,
the tune of Heaven chording through the Sky:
Light, and Life, and Love the lash
to idle hearts aggrievened by the Weight of History.

Touch me now, and bring here your side to me:
cleave me to the Knowledge of your Form.
Grasp me in the sweetness of thy sylvan strength -
Show mine eyes the Thunder; thy Skin, the Armour of my soul.

(Eros, fevered, awakes)

(1991 or 1992)

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The Canyon

(Minerals III)

We will swim together
in the waters of our jade-black river;
bathe naked-cold
in stream-pools where salmon coy

We will eat of the hard apples
of the lake-land dale,
chew dry apricots -
in the desert, feast

Come, my love, touch
me through the water
running icy-hot
around our loins;
warm me
with your sinewed breast
heal me
in your strong embrace

The canyon: orange-green,
red, and purple-grey
in the windy dun, brown-umbre
amid an arid dusk;
the breath of sage
and pine-land towering,
our senses heady
with mountain-perfumed heat

I will show you
the high ridge,
the grey-blue sky;
I will lead your eyes
along the north horizon,
forest-girt

Hold my loneliness
in your stern soul;
Wrap me
in your folded flesh

Rock, soothe me
River, wash me clean -
cleave me to my lover;
take me deep
    into the ocean-earth...

jasper, garnet, agate-fire,
serpentine, and red vermilion:
hard sand, warm stone, and flowered dust

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To the Centaur

Give me of thy stallion-strength
and rear upon the breaking night
Hurl me cross the dawn-lit world
   (faster than the morning wind,
    fiercer than the thundered stone)
Let me hold your strong-furred back
and rest within your bucking breath
hanging on against your heaving gait
into a hard-riding dawn
        and long-rode day.
Power of four-footed beast,
human loin and mind,
soul spun of ancient earth
and cousin to the Night.

You were
like rescue from a storm

Immortals say that human death is blessing
     that eternal life be cursed
(If, then so, was the titan's death a mercy
           or a gift?)

Immortals say
     they must forget to live
     for they can never die

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Godhead

Transcendent, in the flesh
   the godhead challenged, rivalled
   a breach in immortality, a rift
   passing through the eye

   as you turn, taut,
      and look on me

(1987)

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(Untitled)

Lo, I have been long upon this Earth. I have felt the rain
run upon my scalp like cold blood; I have seen the fire
and ruin in more hearts and minds than I now can count;
I have seen and known the doom of love, the liberation
that is in desolation and despair and loss, the folly
that happiness and pleasure can wreak upon unwary souls.

Do you see my mind? Can you know my thoughts?
Would you tell me that all I have learned is naught
and I am bitter without cause, that all is sunlight
and rejoicing and fat life - like cattle chewing grass
contentedly in a slaughterhouse's fields? That sorrow
only falls on those who earn and deserve its pain,
that blithe ignorance is the surest cure for destiny
and loud and false vulgarity the best antidote for knowledge?

How many years of life are lived
before purpose flowers and fruits,
the heavy load of duty finding seed?

I walked in mountain dales where greed has scarred the land;
I roamed the streets of cities seeking reason and a friend;
I rode the great highways to fill out the boundaries of my span;
I swam the coldest rivers, burned a fire to name the end.

.....there is so much noise - disquiet is a bane
for thoughtful speech.......

(August 1995)

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Rebuke
(The Scythe)

As ye sow, so shall ye reap -
let me not weep
for thee
that hast me cast out.
No doubt,
my love, my friend -
that wast dear brother
still to this end;
for this (I fear)
I did undo our mend
to ease my woe
at loss of thee
and thy dear company.

And so to break
our love
for pain and dust.
and years turned
end to end.
For thee now lost,
most dear of men
that have to me
with love made friend
(and then denied),
I am turned and tossed -
by love untied, and lost.
I grieve for thee,
yet cannot weep
to vent my shame
or seek release,
to name the deep
where guilt was born
'twixt me and thee.
For I've all it wept
to burn thy name
and seek the deep
where answer to my hurt
might thy tenderness return
and rescue me.

For thee I've kissed,
and thou'st kissed me,
and our knot was made
of destiny, and deed.
Yet I love thee still,
so cannot keep
not sing to thee
of night-dark truth:
you came to me
and slept aside my heart,
and called my love
from out its shadow's tomb.

Spare thy heart for me,
when it can loving bear
the memory of our friendship's times,
the truth of our bright hours
that underly the darkened
pillars of our waking's world.
For as we reap, so must we sow,
And as love dies, so must we go
unto our fates, and destinies,
though we may fear our change
into yet newer years, and other souls,
and plant good ground with newer seed,
and bathe it in a freshet's cold.

I love the days
that were to me
the knowing of our world.
the peace of manhood's truths.
For loving me,
though harsh I spoke,
your sight
will ever tender me,
and make me mind my self
and guard its doors
from further love and loss like thee.....

(1991)

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The Mask of Hippolytus

Dare I wear the mask of Hippolytus
to dance and sing out, on stage
the error of his ways?
Dare go a-shamed
for silence honoured, even unto death
or risk the wrath
of hard-wrought truth?

For what beauty is this, our pain?
For so easily love turns to anger,
sweet tenderness sparks dire jalousie
and hate abounds wherefore
faith had stood.

For in deep love is faith,
and in faith love,
and there we walk a-free
- together or alone.

For such a gift of love is freedom
that love must set love free....

Even unto death we know
and feel that love has been;
Even unto heaven's gate
we know that truth
can heal a ravaged heart
and sear the soul with fire.

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(Untitled)

The wind howls around our refuge,
shakes the burning dark with thunder.
The earth presses above our heads;
We grasp the shadows with our hearts.

Do you love me still, my long-lost one?
Do you want me in the winter night,
wake dreaming of my kiss on summer morns?
Would you be swallowed again into my love?

Mountains rear above the sheltered sea
winding deep into the monstrous land
hand breaks on rock, storm freezes on crag
Dry and drier and the lands beyond.

Do you feel my remembrances?
Do you wonder at our stranged ways
and hope to find my face again
upon where your shoulder meets its nape,
                    your leg thy loin?

The world around is is made end,
The forest falls to feed time's fire.
The sky opens to yet sharper stars -
yet no world outlasts even a long-lost love.

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The Last of the Revenge Poems

With all the furies on you
feeding on your flesh . . .

do you not feel the judgement
upon the god of stone, who knows no time?
Do you feel the gut, the fang?

    (hand hacked by the cooling fan
     I feel the blood, the spurt, numbing
     out the lash and seek out tending
     for the wound, hand hacked out in
     grogginess by a lazy morning god).

and then to say reality: Reality?
I have mine, you have yours - no more.
That gone - and do you feel me try?
By body coiled and bent, yet to rise
out the trap of life, and life's denials.

Body failed but hardening,
seeking out to stand new ground
I turn and say "Do you love me then -
So why was I let to leave?"

    I would have stayed for you
    had your love been true
        oh, I loved you so.

    If you came to me
    We would both be free
        Oh, I need you so.

I loved more than love deserved
and so got the less of that.

A good friend
is worth more than ten miles of spit.
and so
if a good friend spits
on you
go walk ten miles . . .

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Fragment from an Unwritten Play II

CHORO
Who is this man?      Why does he stare?
He stands alone      as if a dagger lay
between his eyes.      The furies must have his heart.
Look on him -      how pitiable,
so strong a man      Is it death or love
that feeds his will -      or some despair of soul
beyond all understanding?      Look! - he hears us, feels our wonder!
 
SOLO
Why do you cant?      Can man never think alone,
or must he quit the living world
to take respite from slander      and sleep unashamed;
not tested cruel by strangers' minds?
 
CHORO
Fear us not!      We are no harm to you
Your despair has moved us deeply
Permit us year you out -      If there is healing for you
It is letting all dark truths unleash . . .
 
SOLO
For what? - To plaint?      I seek no pity,
nor blind sympathy, least      of all from stranger's care.
Yes, my heart is cold      the wind blows in its empty halls
but ask me not to speak      of Love, or Loving's loss!
 
CHORO
Yet what can we do      but feel your pain?
      Love it is, you say      that wounds your days,
that drives you distract      from living's glory,
cripples your strength:      Silence is a living death.
We have but stranger's love      yet withouu your kindred race
you would never be:      Even loneliness would be a dream.
 
SOLO
You see my heart      and touch the wound
Yet still unknown its shape and depth to you.
No song or speech can be its salve
I mourn my loss alone -      what good is care?
 
CHORO
Speak not so, dear friend      for care is but a hearth
on which your anguish      might build a fire
to burn away your suffering      and warm you with release
We are kind ears      Let no shadow seal your Tongue.
 
SOLO
Your concern is true      I see wisdom in your words
But the Curse upon my heart;      is strange and hard,
difficult to expand      shameful to admit -
I grieve my brother's hate      and carry the burden of that fault.
 
CHORO
No greater pain is there than that between two kindred hearts.
Yet is not hate but love's frustration,
and guilt only self-blame instead of truth?
You need no reason to burn with pain
for love is sovereign over all our thoughts -
no deed should stall the beating of a heart,
unless murder is the crime, or dark treason.
 
SOLO
Treason! - I would you'd not said that word!
I trouble for my passion's doing
My lonely hand proved stronger than my soul.
One who gave me love unasked
Became the object of my more secret love.
In such truth is love's betrayal -
the breaking of a heart-brother's trust
The scarring of a kindred spirit by the tasting of its stuff . . .
 
CHORO
These are mysteries you speak,      the riddle of your guilt.
How can love's expression,      and confession of its need
curse true if the love that bore       it be truer still?
We think you grieve unneeded -       all love makes us need and want
No action in its Cause       will bear long blame.
Why trouble more,      and create a darken'd shame?
 
SOLO
Your words are kind      but still no salve.
My heart must cold      for no more warmth
will my brother's arms      yield me warm and true
for joy or soothe.      His hidden anger
makes swordpoints of his eyes      cold granite of his shoulder-strength
I sought soothe his manliness for love of him -      for this crime there is no reprieve.
 
CHORO
What bitter foil      you have wrought upon yourself!
Not truth of Act      but shame of deed long-done
and made in earnest love     no crime but that.
You cannot undo this thing,      but if you bear its weight
it will entomb you       in long-living's grave.
The deed itself is not your curse,      nor's your friend's confused hate
but the terror that you feel      of your hidden selves
You must shed this woe      or there is no hope
Your brother must leave his love      over yet, as you yourself:
Life is for building up, yea-      not tearing down.
Nurture time, not pain;      Feel love, not love's refusal.
 
SOLO
Words are easy      Hardest is living life
I could place a seal       upon my pain
Live on in silence,       seeking unsought friends
by whom these shadows might       burn off in light.
Yet if this love was true      might deeds not one-day heal
this tragedy of bitterness      and broken trust?
 
CHORO
Yes, so it is, and true you know your love -
Why dream of darkness if the sun might rise?
Midnight has no place in the beauty of a morning day
Let your pain rest, your heart will heal
When you are strong you will find love ready
But if you bind all hope your heart cannot be mined
Do not dwell on darkness for shadow is a weight
where light cannot reach. Free your heart from grief.
 
SOLO
Your song has shown it so -
Life is how we love it, loving how we love
I will yield my fear, unfetter all my woe
Be kind to my own soul, and so unto my friend's
 
CHORO
Yes, it will serve you well.
Do not let hatred falter love
Struggle with hard truth
but do not surrender a needless battle
Make better than has been
stand tall and feed upon the light.
 
SOLO
Quiet! - my brother comes
I feel my heartbeat surge,
yet take succour from your words.
Leave us be, that we may speak alone . . .
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Serenades

  I

Golden, sere, taut and still,
sweat-moist and drawn
across hard muscle, enhardened loin,
hard eyes and a widened stare;
across a wide chest, strong arms,
hewn out from the stone of space
itself: these bones and brawn
over-shadow to a godly thing,
a night-drawn beauty grace as if
divine law had smiled on human birth.
Heart, loins, mind, sinew -
knit to frame a truth.
Will you unburden me with your light?
Will you encase me in your healing arms,
enfold me from the darknened night?

  II

We wander in the night
together, sleeping,
twisting on the cords of dreams,
clutching at memory and hope
and dark desire and colder fear:
against this night
your warmth is here;
thy living meat is nurture
to my bones.
These are cold times
and darker nights.
Come - hold me warm,
dreaming in the deeping night.

  III

Draw away the curtain between us -
Have I not seen your naked form,
yoru very manhood unhid, before
and did you not boldly look me back,
before you learned mistake pure love for lust
and spurned me cold and hard?
Do you not feel from me frustration
at denial of your love, sanction from your form?
Do you think such pain is good for heart
or mind or for the rendering of living's gold?
I yearn only to be let unkept
unbarred from passage of my love;
yet innocence is by trait but once,
in sweetness, sordid flesh, and salt:
yet all I would is calm embrace,
close-holdings through the darkling night
secrets, schemes, shared 'cross a pillow-bed
and love's honour held before the assault of shame.

  IV

Shaking, shaken
I held you
in a long-gone night,
darksome, hot,
and moist with flesh
and godly revelry

Spirit transcends our sex,
yet flesh is the flame of spirit,
the vessel of experience
and love and war.

I held you, winsome-strong
and gentle-mouthed and gentler-loined.
Love unburdens us of mind,
but hurls our hearts with gravity
(our souls with light);
vitality frail'd and will a-broken.

Love me now as you did then:
these are our hours,
            our gate in time
to know eternity
through power of our form.

Love transcends the spirit,
burns body with pain and heart with woe.
Hold me in the darkness;
unknowing hold me against the night
for I am shadow to your light
fuel for your soul
            coal in a fiery lamp.
 

Spirit knows no law, but cannot lie;
Love burns time; the body burns love.
Do angels weep when mortals die;
as hearts break, does heaven move?

I kissed your brow, and breast
and knew your strength stretched along my side,
our wills unbuckled as we dreamed;
poets die of Truth, athletes of their Youth.
I knew your love: do not haste me so....
            or waste me for a fiend
    or only seeming friend.

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(Untitled)

I had come to know myself anew, moving into a new experience as if a fish upriver. I had known my opposite, had forgotten my old bearing, become over what I'd been before. To have felt myself whole and undiminished, even when in great pain, even when most removed.

Then I was burned by love. Happiness is one thing, and bliss another, but beyond either is the gift of shared awareness, when hearts and minds, bodies and souls, are undifferentiate, their essences intermingled. My own beliefs and mind I could control, but when I was made two, the gate was open to the doubt and prejudice implicit in my former life, as my other had no walls to need. Preference, the enlightened moderns say, or destiny as those ancient can so easily proclaim. But I created my own fall through genuine devotion, not from all their insecurity or pride.

My vanity was in daring to unbind my soul and welcome faith into my heart. My undoing was playing host to that faith once shaken, to find preceptive biases choking me from within. Oepning the box of tortured dreams I had once made locked, my eyes were stained and my faithrul love polluted by yearning and by wanton abandon - and by the painful silence, sealed by love on awkward tongues, that marks the end of unspoken bonds.

We wear our dreams without a mask if we forget to hide ourselves, as is most the fashion nowadays. How can we help the wounds of brokenness, or wear the weight of strangers' words, if untrusted and untested is love now lost?

I tremble at my lost knowings, my wakenings, my changingness, transfiguration upon re-transfiguration. I embrace my shadows, enpurge my soul, wrestle with the writ of heaven and the might of hell. Only love can save the damned.

Fe veldr fraenda rogi; foedisk ulfr i skogi

("Worldly wealth (or worldliness) brings kin andfriends to quarrel; wolves whelp in the woods" - Norse Rune Song)

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Eros (II)
(The Fever cont.)

Eros, fevered, awakes,
tosses his head within the darkness
shuddering in the chill damp
of sweat and dream-torn heat.

"What feels me thus, and touches
at my quickness, as a drum
or thunder in the heart? I am untaken,
alone, here on my godly bed where few may linger.
Yet whose want have I
to urge me from my chasting slumber,
if you are here to bring me feel
and rise me to the inner night
that lies where long love ends?"

Rising, shamed, he looked about
the gloom, and stroked the salty dew
from off his hardened loin
(where heat and dream had brought forth
his fire-blessed seed). He lay, awake,
and wondered at who might fill his quest,
what manner to folly into loving's way.
He saw no face he knew, no smell familiar
in the flavour of the dead-dreaming's shape;
sinew without name, yet heart and mass and greatness
and all of great love's tenderness;

"Premonition, and excited fear -
I feel no lust, yet pain
of physical knowledge and frustration.
A music of the flesh,
it stirs my skin
long-fmiliar yet still-unknown.
I wonder at this mystery,
know no god could ease it,
the ravish of my need: a mortal
bonds me so, beyond my memory
or dreamt-of discovery."

"Mortal love is mortal,
or so the ancient stories tell,
but love deeper-made immortal is,
unsullied by mighty Death.
Legends tell that even gods
might fall in love,
or lie for sake of it...."

There is no greater passion
than a strong, warm form
to shield the cold world away at night:
gods must feel the most stellar of chills
that only strong flames can warm.

He put upon a mortal shape
and went down into the human world:
he felt his innocence return,
let no corruption of divinity
stain his veneer of Thought
as used by mortals to turn away the Truth;
blind hearts fare better than knowing eyes,
and bid fortune from chaos' grace.

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Pathetique

All well and good
because I really should
stay away from your kind
for the good of my mind.

But will you pay bail
when they put be in jail
for the price of the calls
you had me make in the fall?

I made them for you
to try to get through
to the friend I had known
behind a cold voice on the phone.

This song has an end,
as did you, my friend.

____

I sensed I've been tricked
by a muse, or else kicked
by a friend into wearing a mask
that was what was asked......

  II

Why did you ask
me to take off my mask?
Why did you look
then say that I took?
Why did you make
such a big oaken stake
to ram through my heart
when you decided we'd part?

My life was serene
ere I heeded your word,
and then off I'd careen
from the deeds you'd incurred.
Then you'd call mine the blame,
play a hypocrite's game
and accuse me of madness
and fill me with sadness
and make me try bile
to break through your guile.

On an on I could go
yet more stones I would throw
but your thought gives me stress;
I'm left with your guess
of what you decided I need -
someone who cares and listens to heed.

Who am I now?
I scarcely know!
But I will not bow
to a friend or a foe.

You say you're the first,
but you call me the worst
of fears that you see
the worst things that could be.
I usually obey
and become what you say -

do I give you a thrill
when you think I might kill?

I summoned this muse
to help me accuse
and divine in a song
what I always felt wrong.
Perhaps you might say
it's better this way-
for you don't need friends,
you only need ends:
the means but a ride
for a self kept inside.

Your voice is so kind
when you change your mind;
it makes me still feel
that I am not real.
But when you act, you forget
what it was that you said
and don't care if I fret
or have a storm in my head.
What matters is fear
that you feel being near
that which is just
the touch of my dust.

I feel sorrow and grief
and I moan and I beef
when you tell me I'm sick
or after your prick.
And now you hide
and tell me to bide,
that you feel fear for our trust
and tell me we must
not have more hurt
nor sling any dirt.

Did you feel my heart fall;
did you half care at all
for the sake of my heart
which you'd pierced with your darts?

do I give you a thrill
when you think I might kill?

Songs of Love and Loss Index    Main Poetry Index

The Hunter's Horn
(Demon)

In airs of dark molt,
      dead demons remembered
over an oakboarded bar
      far from the scene of old crimes.
Halls of future foreseen
      made solid, built hard and mad:
No green glades here, no high-cragged ice
      and valleys deep-laked and cold -
Grey this distance, foreign this land,
      these spaces are filled with
                  only mortal fury.
 

How much is stilled?
      How much yet would be said?
Ungraced, thy will must self-shape
      determine a meaning undone.
 

Black broth of smoke,
ichor of bards and scoundrels -
taste my charred glass,
touch this care-hewn wood -
      (is there naught of god
       in an honest drink?
       Is there naught of earth
       in urbane mind or breath?)
Tell me that passion unleashed
still knows the harp,
still dances wild beyond reason
                  and hope.

Snapped, slapped, out of magic,
                  down from music....-
why should there be striving?-
why should there be memory?
 

Demon, are you dead?
      Am I safe from your beautiful need?
Dare I call you for a whim,
      name you on my cold monument?
 

Lesson learned, heart transformed,
slate cleansed with ale
                  and with a thousand roads...

( Hunter's Horn Tavern, Montreal, June 23, 1982)

Songs of Love and Loss Index    Main Poetry Index

Vancouver Fireworks, 1991

We walked among the throng-pressed crowd, you and I, sat quiet amid the swarm, shoulder on shoulder, thigh on thigh, feeling the world move abouu us, the horde push on to find their night's desire. We waited for the surge to end, the crowd to dissipate from its homeward fever, wondering at the warmth of each other's flesh, the beat of each other's heart, the pulse of unspoken mind we shared by still cannot voice. I felt your back against my side, my heart behind your spine, the gentle need for brothership that you had conferred on me, the inchoate bond that urged you to cleave to me, amid those thousands and amid the confusion of our different ways; yet you say with me amid the crowd and the city street, despite the difference that lay between us without distance, without meaning, and yet unbroached.

The smell of cinder and auto-fumes, the rumbling murmur and rude chatter of the crowd, the warm breeze from off the bay that dispersed the firework-smoke, the odour of your heat: I remember all this, clear as the blemish on myh own skin that ages, deepens, like a scar, where yet the wounding is wihtin me, wondering if youuwould dare voice or act upon your instinct, realize love as simple, without fear or loathing or the other things that fester in the ignorance of our times, and in the evil of others' hearts and minds. Your skin and bone are like velvet and wood to me, your scent a rich and sweet perfume, yet I would no lust on your behalf, no sating of my unused loin; I would only know the comfort that was your side, the unquestioned, the unquestioning, bonding to my ribs as child unto a new-remembered womb: there is no shame in this, no need for fear or hurt. We watched the fireworks together, parted wondering at the nature of our love, each fearing loss of the precious heat we shared, fearing hurt for the other should our bond be sundered, or exposed.

Why do men love in such times, when distrust is posed as righteousness, and fear as rationale for greed? Why do we dare share our lives and dreams, when it must be kept secret from the bitter hatred and jealousy that frame our world and encase city and town alike in holy anger, even when there is no sin. Affection and affliction are made one: faith and trust accused of carnal knowing, shame laid where there is no guilt, embrace refused for fear of taint, or worse a fear of knowledge - our minds set free, our hearts unleashed, our bodies merged unthinking in our deepest sleep, then waking in a common bed. We share a soul, you and I, a thing beyond both our years and beyond all knowing, something we can only feel in dream or sense in each other's eyes, something no other should expect to fathom, something we should let none malign, so precious in these hateful times as love is.

Songs of Love and Loss Index    Main Poetry Index

Lament

Oh, for that friendship is more
precious and rare than brother-ness,
ten times more poisonous in its fall,
a hundred more bitter in its unbid loss.
Worse than all the wars of blood,
more foul than all the lies a foe can tell,
the turning-aside of bond-wrought trust
made blacker when its cause is false
and blacker still when forgiveness waits
unredeemed, colding in a liar's night;
a heart cloven and forgotten, rebuked,
will seek to fix the same pon its 'dopted twin.

Did I choose you as a friend
when you took me to your side
and asked my counsel for your heart?
Did youuchoose me outside your soul
when I dared tell you truth you sought?
How vain the contrivings and demands
we made to solve our festered wound:
I smile, you smile, we lie gracelessly
back and forth, for fear of insult
or for the resurrection of a nightmare.
I could bear a silent grace no longer,
took ouu the knife, and cut
ouu the heart of your sheltered happiness.
What devil made you call me less
than what you know I am?
What fiend taught you accuse me
of slavery to what you know I am not?

Nothing for all of this
is any better than you could do
and have never done.
Family you cannot choose,
except to leave, or love, or hate,
but friendships you must must forge
and mend once chosen,
or all your life is worth but spit.
And these lonely words of mine -
why do I bother further 'neath their strain?
For even if you read these lines
their meaning you would never hear
for you have stopped your ears
and sealed the chamber of your heart
wherein you once bid me dwell.

Betray me not with furthur smiles,
and cry for pain to bring you deserved tears.
My own heart I have found again,
the sureness of my own footing
in the acid quicksand of our lives.
I see the sky, I see the land,
I know I shall rise to fill
out my shadow's form again;
I have 'scaped the snares and evils
your folly sent me to, and damned me for.
Ask your brother for word of me,
if ever he learns to speak the whole of truth
and not just the sharpened bits he makes to use...
ask him of the trouble roiled through me
for sake of you, and him.
But ask me not to give you time
to ask me of my life's urgency;
tell me not my hours waste,
as you know nothing of my task,
and even less the hard trueing of my course
that your anger has so cruelly forced.

How long ago this must seem to you;
for me it has always felt just yesterday....



Songs of Love and Loss - Index of Titles and First Lines

Apollon
(The Spheres)
Orbital roads roaring 
the great wheel's 
rumbling noise
The Canyon
(Minerals III)
We will swim together 
in the waters of our jade-black river;
To the Centaur Give me of thy stallion-strength 
and rear upon the breaking night
Demon
(The Hunter's Horn)
In airs of dark molt 
     dead demons remembered
Eros I
(The Fever)
What beauties have we squandered, 
what gifts spoilt and ruined
Eros II
(The Fever cont.)
Eros, fevered, awakes, 
tosses his head within the darkness
The Fever
(Eros I)
What beauties have we squandered, 
what gifts spoilt and ruined
The Fever cont.
(Eros II)
Eros , fevered, awakes, 
tosses his head within the darkness
Fireworks, Vancouver (1991) We walked among the throng-pressed crowd, you and I, sat quiet amid the swarm,
Fragment from a Play (I)
(Strophe)
Some men are made      of stone and steel; 
Others born      children of the pure fire,
Fragment from a Play (II) Who is this man      Why does he stare? 
He stands alone      as if a dagger lay
Godhead Transcendent, in the flesh . . .
The Mask of Hippolytus Dare I wear the mask of Hippolytus 
to dance and sing out, on stage 
the error of his ways . . .
The Hunter's Horn
(Demon)
In airs of dark molt 
     dead demons remembered
Lament Oh, for that friendship is more 
precious and rare than brother-ness
The Last of the Revenge Poems With all the furies on you, 
feeding on your flesh . . .
The Mask of Hippolytus Dare I wear the mask of Hippolytus 
to dance and sing out, on stage 
the error of his ways . . .
Minerals III
(The Canyon)
We will swim together 
in the waters of our jade-black river;
The Music of Stones The music of stones, mute but turned to wind. We 
empty out our souls into the tones that command
Pathetique (I) All well and good 
because I really should 
stay away...
Pathetique (II) Why did you ask 
me to take off my mask?
Rebuke
(The Scythe)
As ye sow, so shall ye reap 
let me not weep 
for thee
Revenge Poems, the Last of the With all the furies on you, 
feeding on your flesh . . .
The Scythe
(Rebuke)
As ye sow, so shall ye reap 
let me not weep 
for thee
Serenades (I) Golden, sere, taut and still, 
sweat moist and drawn...
Serenades (II) We wander in the night 
together, sleeping
Serenades (III) Draw away the curtain between us - 
Have I not seen...
Serenades (IV) Shaking, shaken, I held you 
in a long-gone night, darksome, hot
Stones, The Music of The music of stones, mute but turned to wind. We 
empty out our souls into the tones that command us
Strophe
(Fragment from a Play I)
Some men are made      of stone and steel; 
Others born      children of the pure fire,
Untitled Lo, I have been long upon this earth. I have felt the rain
Untitled I had come to know myself anew, moving into a new experience...
Vancouver Fireworks, 1991 We walked among the throng-pressed crowd, you and I, sat quiet amid the swarm,


Volume Index:

Odes and Orisons | Songs of Legend | Tales of Darkness | The Dark Giant | The Frontier | Songs of Love and Loss
Rhymes and Sundry | Sciences and Auguries

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